Artist Bios

Maria-Margaretta is an interdisciplinary Red River Michif artist from Treaty Six Saskatoon, Saskatchewan. She has ancestral ties to the Métis communities of St-François-Xavier, St. Boniface, Manitoba and St. Louis, Sas[1]katchewan. She is currently making and living on the stolen territories of the xwmƏƟkwƏýƏm (Musqueam), Skwxwú7mesh (Squamish) and SƏĺílwƏtaʔ/Selilwitulh (Tsleil-Waututh) Nations. Maria-Margaretta holds a BFA from Emily Carr University of Art+Design and an MFA from OCAD University. Her practice is an exploratio of the Michif self archive, autobiographical beadwork and objects of the everyday. Using Métis identity as a place of transformation she questions how memory, personal experience, motherhood, and ancestral relations influence her understanding of self

Jake Kimble is a multidisciplinary Chipewyan (Dënesųłıné) artist and curator from Treaty 8 territory in the Northwest Territories whose practice revolves around acts of self-care, self-repair, and gender-based ideological refusal. Kimble belongs to the Deninu K’ue First Nation and currently lives, works, and shoots on the stolen territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish) and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) Nations. Holding both a degree in Acting from Vancouver Film School as well as a BFA in Photography from Emily Carr University of Art + Design Kimble imbues his work with a sense of theatricality and levity, which are core principles in their practice. Through a clever subversion of the everyday aesthetics Kimble also plays with language and ambiguity – something that comes natural with them being a two-spirited artist. Using a funny bone as a tool, Kimble excavates themes of existentialism, narcissism, and the strange, offering an invitation to the audience to examine the absurdities that exist within the everyday so that they too may exhale, unclench, and even chuckle in the spaces where laughter is often lost. They have completed residencies at the Burrard Art Foundation, Vancouver, and the Banff Centre for Arts + Creativity, Alberta, and was the co-curator of the 2024 Contemporary Native Art Biennial (BACA). Kimble’s work was featured on the King and Shaw Street billboards for the 2023 Scotiabank CONTACT Photography Festival, and was included in a group exhibition at the Audain Art Museum alongside Adad Hannah, Michelle Sound, and Jin-me Yoon for the 2024 Capture Photography Festival. Kimble’s work has been exhibited in various group and solo exhibitions across Canada, and can be found in notable collections such as the TD Collection, the Scotiabank Collection, and in the Art Gallery of Hamilton

Vance Wright (they/them) is a reconnecting two-spirit member of the Tl’azt’en Nation, and was raised on the unceded territories of the Sinixt Nation in what is colonially known as Nelson BC. Currently residing in the occupied and unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations in Vancouver, they are an emerging artist, curator and writer. They hold a Bachelor of Fine Arts from Emily Carr University, with a major in Critical and Cultural Practices and a minor in Curatorial Studies. Their art work has been exhibited in the Contemporary Native Art Biennial (BACA), as well as Artist Run Centres such as Massy Arts Society or Oxygen Art Center. Their writing has been published by the Ex-Puritan, Biblioasis, and the UBC Okanagan Gallery. They were named runner up for the Indigenous Art Writing Award from CMagazine in 2025. Their chosen areas of research include Indigenous Art Histories of the First Nations of the Pacific North-West, specifically during and after the Potlatch Ban which was put into effect during the years of 1884-1951, and the history of Formline Design, a Coastal Art Form that is Indigenous to these territories. Additionally, Wright has researched Indigenous Curatorial Practices during self-directed studies in their Curatorial Studies Minor, and has recently shifted to researching and curating contemporary Indigenous Performance Art.